NOIR CITY: HOLLYWOOD returns for its 22nd iteration to the American Cinematheque's Egyptian Theatre, March 6–15. The 10-night festival comprises international and American films. The festival kicks off Friday, March 6 with the FNF's restoration of the Argentine classic The Beast Must Die paired with the Argentine set Hollywood classic Gilda. The FNF's second Argentine restoration, El Vampiro Negro, plays the next night and will be preceded by a screening of the German film that inspired it, Fritz Lang's M. The festival will also feature classic noirs from Germany, Japan, Mexico, South Korea and Sweden. All the screenings will be introduced by FNF president Eddie Muller and/or FNF board member and author Alan K. Rode.
On Saturday, March 14, noiristas can feast on five Tinsel Town classics, starting with Jacques Tourneur's seminal Out of the Past. Four FNF restorations follow: The Guilty, High Tide, The Prowler and Try and Get Me. All the FNF restorations including the two Argentine films screening during opening weekend were restored on 35mm by the UCLA Film & Television Archive.
In addition to screenings at the Egyptian Theatre, NOIR CITY will travel to Santa Monica's Aero Theatre on Monday, March 9 for an evening featuring David Mamet in conversation with Eddie Muller and a screening of House of Games, written and directed by Mr. Mamet. Tickets are available here.
Then on Tuesday, March 10, the American Legion Hollywood Post 43 Theatre hosts a military noir double feature of Act of Violence and Somewhere in the Night. Tickets for the Post 43 screenings are on sale now at Brown Paper Tickets.
On Saturday, March 14, noiristas can feast on five Tinsel Town classics at the Egyptian, starting with Jacques Tourneur's seminal Out of the Past. Four FNF restorations follow: The Guilty, High Tide, The Prowler and Try and Get Me. All the FNF restorations including the two Argentine films screening during opening weekend were restored on 35mm by the UCLA Film & Television Archive.
The festival will also feature classic noirs from Germany, Japan, Mexico, South Korea and Sweden. All the screenings will be introduced by FNF president Eddie Muller and/or FNF board member and author Alan K. Rode. Go here for the line-up of films screening at the Egyptian and to purchase tickets for those screenings.
NOIR CITY: Hollywood: Mar 6-15, 2020
NOIR CITY Austin: May 15-17, 2020
NOIR CITY: Boston: Jun 12-14, 2020
NOIR CITY: Chicago: Aug 28-Sep 3
NOIR CITY: Detroit: Sep 18-20, 2020
NOIR CITY: D.C.: Oct 16-29, 2020
The Film Noir Foundation will premiere two new restorations at NOIR CITY 18, both little-known 1950s noir gems from Argentine director Román Viñoly Barreto: La bestia debe morir (1952) and El vampiro negro (1953). Both restorations were completed in 2019 by the FNF's preservation partner, UCLA Film & Television Archive, with support provided from the Hollywood Foreign Press Association's Charitable Trust (The HFPA Trust).
La bestia debe morir is an adaptation of Nicholas Blake's celebrated 1938 novel The Beast Must Die. Blake was actually a pseudonym of Irish poet laureate Cecil Day-Lewis, father of actor Daniel Day-Lewis. The book was noted for an unusual structure combining a first-person narrative of murderous revenge with a whodunit plot more familiar to fans of Blake's Sherlockian British detective, Nigel Strangeways.
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You can now own your own copy of the FNF funded restoration on Trapped (1949), available from Flicker Alley in a Blu-ray/DVD combo. In Richard Fleischer's 1949 noir, T-Men investigating a flood of phony $20s spring convicted counterfeiter Tris Stewart (Lloyd Bridges) from the joint to use as an undercover operative. But Tris is only stringing the Feds along until he makes a score and scoots to Mexico with his red-hot squeeze, Meg (Barbara Payton). The double- and triple-crosses come fast and furious, as no one's sure who's a crook and who's a copper. A hasty and hard-edged B with exceptional camerawork by DP Guy Roe.
The preservation of this nearly lost classic noir has been accomplished through the long-standing partnership of the FNF and UCLA Film & Television Archive. Additional funding assistance for Trapped was provided through a grant from the Hollywood Foreign Press Association's Charitable Trust (The HFPA Trust).
Trapped Blu-Ray/DVD bonus materials include:
✽ "Freeing Trapped" — A documentary on the film's creation and history, featuring interviews with Eddie Muller, Donna Lethal, and others.
✽ "A Sedulous Cinderella: Richard Fleischer Remembered" — A remembrance of the man, the director, and the father, by his son Mark Fleischer.
✽ Audio Commentary Track — Featuring author and FNF board member Alan K. Rode and film historian Julie Kirgo.
✽ 24-Page Souvenir Booklet — Featuring rare photographs, poster art, and commentary by FNF president Eddie Muller.
Prefer streaming to cable? We got you covered! Check out the newest edition to our website, I Wake Up Streaming—a noir streaming column written by critic Sean Axmaker. Sean is here to guide you through the labyrinth of streaming services and lead you to the best classic film noirs available. He already regularly contributes to the FNF's NOIR CITY e-magazine as well as the NOIR NOW PLAYING section of our website. Sean also writes the syndicated newspaper column Stream On Demand and the companion website.
The WORLD OF FILM NOIR was created in black and white, but its intrigue and passion was sold worldwide by movie posters -- in vivid color -- that enticed audiences into this sinister and sensual demimonde. Nowhere on earth was the come-on more colorful than in Belgium, where the nation's standardly sized posters (a mere 14" x 22") virtually exploded with the danger and desire at the heart of cinema's most alluring and durable genre. Small posters from a small country--but packed with more lust and larceny than Hollywood would dare.
NOW, EXCLUSIVELY FROM BLACK POOL PRODUCTIONS—Eddie Muller, "The Czar of Noir," presents 24 glorious Belgian cinema posters from his personal collection, reproduced as 5-1/4" x 7" cards, each complete with his terse and tangy commentary highlighting what made these films—and this artwork--so magical and memorable. $20 + tax/shipping at BlackPoolProductions.com.
Gun Crazy caused barely a ripple in public consciousness when it hit movie screens in 1950. Yet over time it would prove to be the most innovative and provocative motion picture of its era—a simple genre film, but packed with so much cinematic bravura and timeless symbolism, its power has spanned decades, crossed oceans, and influenced countless filmmakers.
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Come follow us on Tumblr to indulge your passion for noir! We'll be posting daily, celebrating all things noir with exclusive stills and images you won't see anywhere else, as well as trailers, film clips, and more.
Share our posts with your friends; your love of the art form is the Foundation's biggest asset in its mission to preserve and restore classics of the genre. We are also fully committed to present our rescued films in the way they were meant to be seen: in 35mm at our NOIR CITY festivals around the country.
The Third Annual Dr. Saul and Dorothy Kit Film Noir Festival will return to Lenfest Center for the Arts, March 25–29, 2020. The festival will explore films about the Jewish experience during the political turmoil of post-WWII America. The programming comprises films about anti-Semitism, Edward Dmytryk's Crossfire (1947), the lasting impact of the trauma of WWII on returning veterans and their families, Fred Zinnemann's Act of Violence (1949) and Hollywood's oblique discussions of the blacklist like Alexander Mackendrick's Sweet Smell of Success (1957). The screenings will also include John Berry's He Ran All The Way (1951) starring one of the most notorious victim of the blacklist, John Garfield. The 2020 edition of Kit Noir also pays tribute to the Jewish emigre filmmakers who helped shaped the film noir genre with its inclusion of films directed by Edgar G. Ulmer and Billy Wilder. Screenings will be accompanied by discussions with film scholars Noah Isenberg, Vincent Brook, and Steven Ross. All talks will be livestreamed for those who cannot attend in person. This year's festival is guest-programmed by Ann Douglas, Professor Emerita of English and Comparative Literature at Columbia University.
The full schedule of 11 films, mostly screening in 35mm, is available on the University of Columbia School of Arts' website. Tickets go on sale the week of February 24.
MidCentury Production's latest series at San Francisco's Roxie theatre, SIMENON 2020 salutes master French crime novelist Georges Simenon. Matinee double features will screen monthly, February through October 2020. While best known for his novels featuring the brilliant but down to earth Inspector Jules Maigre—which have been adapted hundreds of times and in multiple countries on the big and small screen—his canon extends well beyond those tales. His darker stand alone novels plumbed the depths of the human mind and were also extensively adapted for film and television. SIMENON 2020 comprises French, English and American films, as well as TV episodes from various Maigret series.
The Roxie screenings kick off on Sunday, February 23 at noon with a double bill of French Maigret adaptations. First up, from 1944, is Cecile is Dead (Cécile est morte) in which Maigret (Albert Préjean) tries to solve the murder of a young woman whose fears for her safety he had dismissed. An episode from the well regarded French television series, To Any Lengths (Signé picpus), follows at 1:45, this time Maigret (Bruno Cremer) unravels an elaborate plot concealed within the seemingly random murder of a fortune-teller. Visit the Roxie website for full series information and tickets.
The Film Noir Foundation is proud to announce the recipient of this year's $5,000 FNF/Nancy Mysel Legacy Grant—Aparna Subramanian of NYU. Ms. Aparna will receive her MA in Moving Image Archiving and Preservation in 2021 from the Department of Cinema Studies, Tisch School of the Arts, New York.
The FNF's charitable grant, funded by the Mysel family in honor of the late film preservationist Nancy Mysel who supervised FNF restorations of The Prowler and Cry Danger, grants funding to students enrolled in film restoration and preservation studies. The 2020 grant announcement was made Saturday night, February 1, at NOIR CITY 18 by festival host Eddie Muller, with a thoughtful video by Ms. Subramanian screened for the San Francisco audience. Details on how to apply for the grant are available here.
Love our film reviews in the NOIR CITY e-magazine? Get you noir-tinged movie and streaming news faster from our newly added NOW PLAYING area. Contributors include syndicated newspaper columnist Sean Axmaker; the East Bay Express' chief film reviewer Kelly Vance and Nathalie Atkinson, a columnist for The Globe and Mail and the creator and host of the popular film series Designing the Movies.
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NOIR CITY E-MAG
At left, the cover of NOIR CITY® — the Film Noir Foundation's latest e-magazine issue. For access to the best writing on noir available today, and to enjoy one of the most cutting-edge interactive multimedia cinema publications in the world, subscribe to NOIR CITY. Start by adding your name to our mailing list and then making a donation to the FNF of $20 or more. View the Table of Contents for the current issue here.
Keep us posted on noir news and events in your area! Email Anne Hockens, Film Noir Foundation news and events editor.