DEDICATED TO RESUCING AND RESTORING AMERICA'S NOIR HERITAGE

The Film Noir Foundation is a non-profit public benefit corporation created as an educational resource regarding the cultural, historical, and artistic significance of film noir as an original American cinematic movement.

It is our mission to find and preserve films in danger of being lost or irreparably damaged, and to ensure that high quality prints of these classic films remain in circulation for theatrical exhibition to future generations.

That's the high-toned legalese. Here are the facts: Even as the high-tech revolution lets us own vast film libraries on DVD, the risk grows greater all the time that 35mm prints of some films will fall into disuse and eventually disintegrate—especially lesser-known titles that have slipped through the cultural cracks, but are worthy of rediscovery.

As a focal point of the classic film noir revival, the Foundation serves as a conduit between film companies and repertory cinemas still eager to screen these films in 35mm. Revenues generated by ticket sales encourage studios film archives to strike new prints of films that are at risk of disappearing from public view, either through neglect or scarcity. Once these films sare unearthed and returned to circulation, the chances exponentially increase that they will be reissued on DVD, available in pristine, affordable form for future generations of film-lovers.

Since 2005, the Film Noir Foundation has saved the following films:

Restorations

Cry Danger (1951)

The Prowler (1951) – Funded by the FNF in conjunction with the Stanford Theatre Foundation

Try and Get Me! (1951)

Repeat Performance (1947) - Funded by the FNF in conjunction with the Packard Humanities Institute

High Tide (1947) - Funded by the FNF in conjunction with the Packard Humanities Institute

Too Late for Tears (1949)

The Guilty (1947)

Woman on the Run (1950)

Los tallos amargos (1956)

New 35mm Prints

Funded by the FNF

No abras nunca esa puerta (Don't Open That Door) (1952)

Si muero antes de despertar (If I Die Before I Wake) (1952)

Apenas un delincuente (Hardly a Criminal) (1949)

El vampiro negro (The Black Vampire) (1953)

The Underworld Story (1950)

The Window (1949)

Nobody Lives Forever (1946)

High Wall (1947)

Loophole (1954)

The Hunted (1948)

Down Three Dark Streets (1954)

Cry Tough (1959)

Three Strangers (1946)

Southside 1-1000 (1950)

Roadblock (1951)

New 35mm Prints

Fostered and screened by the FNF, funded by film studios

I Love Trouble (1948)

Night Has 1000 Eyes (1948)

Alias Nick Beal (1949)

Strangers In the Night (1944)

Naked Alibi (1954)

Slaughter on 10th Avenue (1957)

The Great Gatsby (1949)

Rescues

Woman on the Run (1950) (digital copy from 35mm before only print was destroyed)

Our Video Archives feature an expanding catalog of noir-related video, ranging from exclusive interviews, to festival guest appearances, to short films inspired by film noir.

LATEST ADDITION Alan K. Rode's interview with actror Claude Jarman, Jr. following a screening of Intruder in the Dust at the 2016 Arthur Lyons Film Noir Festival. WATCH.

 

NOIR CITY E-Mag

Subscribe to NOIR CITY E-Mag

For access to the best writing on noir available today, and to enjoy one of the most cutting-edge interactive multimedia cinema publications in the world, subscribe to NOIR CITY. Start by adding your name to our mailing list and then making a donation of $20 or more to the FNF.

→ FIND OUT MORE ABOUT THE CURRENT ISSUE AND VIEW NOIR CITY E-MAG EXCERPTS HERE.

NOIR CITY E-Mag Back Issues
Now Available!

The Film Noir Foundation has its NOIR CITY e-Magazine back issues for sale — all issues, $5.99 each, plus tax. Please note: These are not printed magazines. The NOIR CITY e-Magazines are electronic issues delivered to your inbox as PDFs. Collect your favorites or own all fifteen interactive issues of the best cinema publication available today. You'll be helping the Film Noir Foundation in its restoration efforts with your purchases at NoirCityMag.com.

NOIR CITY ANNUAL

NOIR CITY Annual #8

Here's the print version you've been waiting for—the best of the best from 2015's NOIR CITY e-magazine contributors. Add this volume to your collection—essays, interviews, profiles, tributes, and reviews of classic and modern noir films by Ray Banks, David Corbett, Christa Faust, Vince Keenan, Jake Hinkson, Terrill Lee Lankford, Kim Morgan, Imogen Sara Smith, and others, including Murder She Made/The Exceptional Career of Joan Harrison from editor-in-chief Eddie Muller. Book layout and design by Michael Kronenberg, of course. And, when you purchase the NOIR CITY Annual 8, you'll be helping fund the FNF's restoration efforts. → Now available for purchase on Amazon.com.

For the latest in noir news from the small screen to the big screen and beyond, visit our news page. We'll keep you updated on Film Noir Foundation projects and events, films festivals, noir related happenings in other mediums, as well as noir and neo-noir titles released on disc and digital. Check our monthly tv listings for noir and neo-noir films coming up on Turner Classic Movies.

DONOR EMAILS

I'm just glad there is an organization doing this. Back in 1988 when I first became obsessed, it seemed like few knew what film noir was here in the UK. So it would usually be just me and a small bunch of moody loners (male and female) who'd go to a regular evening at a flea pit in North London. Three films for a couple of bucks (or pounds here). Such fun... A pity NOIR CITY only happens in the U.S. Oh well, maybe one day I'll get over.. — Henry Jaremko

Just wanted to start by telling you that I am extremely happy to have found your Foundation. I am 38 years of age, and for the last few years I have become a fan of 40s and 50s movies. My parents are Greek. They moved to Australia before I was born, and the fact that I am a Greekimg Australian who loves old movies is rare.... I have my parents to thank—especially my father, because he always had great enthusiasm whenever Bogart or Cagney was on the television. I have your NOIR CITY e-magazines, and they are nothing short of amazing... Thank you for your time and thank you for saving the greatest years of film. — Daniel Sarantidis

 I just sent you $100 via Paypal. But I missed the "send message" link. I have contributed before, and I wish I could do so more often. The content of your site continually amazes me! — Patrick Shields

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