*All times are PT. Please check your local listings to confirm dates and times.
Tuesday, September 1, 7:30 AM – 11:15 AM
7:30 AM
THE FBI STORY (1959): A dedicated FBI agent (Jimmy Stewart) thinks back on the agency's battles against the Klan, organized crime and Communist spies. Dir. Mervyn LeRoy
10:00 AM
GANGSTER STORY (1959): Bank robber Jack Martin (Walter Matthau) poses as a filmmaker in order to rob a bank while on the lam after shooting two cops in a previous robbery. Things get even more complicated when the local racketeer takes exception to his gang being blamed for the robbery. Dir. Walter Matthau
Thursday, September 3, 11:45 AM
EDGE OF THE CITY (1957): A black stevedore, (Sidney Poitier) and a white army deserter (John Cassavetes) forge a deep bond while attempting to stand up to union corruption. Ruby Dee plays Sidney Poitier's wife, for the third out five times. Jack Warden co-stars as their abusive boss. Dir. Martin Ritt
Thursday, September 3, 5:00 PM – 11:30 PM
5:00 PM
KILLER’S KISS (1955): Boxer Davey (Davey Gordon) becomes entangled with taxi dance Gloria (Irene Kane) drawing the wrath of her boss/gangster Rapallo (Frank Silvera) who is obsessed with her. This is director Stanley Kubrick’s second feature and his first foray into film noir. Dir. Stanley Kubrick
6:15 PM
DAY OF THE FIGHT (1951): In this short-subject documentary film financed and directed by Stanley Kubrick, we follow a day in the life of a middleweight Irish boxer named Walter Cartier. Kubrick based it on a photo feature he shot two years earlier for Look magazine. Dir. Stanley Kubrick
6:45 PM
THE KILLING (1956): The best laid plans… Ex-con Johnny Clay (Sterling Hayden) masterminds a racetrack heist. Instead of securing the two million dollar take, his gang’s emotional entanglements bring disaster. In a quintessential piece of noir casting, Marie Windsor plays the treacherous wife of Elisha Cook, Jr. Dir. Stanley Kubrick
8:15 PM
FLYING PADRE (1957): Stanley Kubrick’s second film, a 9-minute short subject documentary completed shortly after Kubrick had completed his first film for RKO, the short subject Day of the Fight. A Catholic priest in rural New Mexico, Reverend Fred, his 4,000-square mile parish is so large, he uses a Piper Cub aircraft, named the Spirit of St. Joseph, to travel from one isolated settlement to another. The film documents two days in his daily life, showing him performing his priestly duties as well as glimpses of his life such as his breakfast routine at the parish house. Dir. Stanley Kubrick
8:30 PM
PATHS OF GLORY (1957): Kirk Douglas co-stars with George Macready, Ralph Meeker, Adolphe Menjou and Timothy Carey in this drama about a French regiment’s punishment for supposed cowardice under fire in World War I. Co-written by Stanley Kubrick, Calder Wilingham, and Jim Thompson. Dir. Stanley Kubrick
10:15 PM
FEAR AND DESIRE (1953):Stanley Kubrick directed, edited and produced this anti-war film about a group of four soldiers that are stranded behind enemy lines. Kubrick tried to burn the film's original negative and sought to destroy any leftover prints after it fell out of circulation following distributor Joesph Burstyn's death. However, some prints of the film remained in private collections. When I saw it after it was rediscovered, I wished people had honored Kubrick’s wish for it to disappear, it is a terrible film. Dir. Stanley Kubrick
Saturday, September 5, 3:00 AM
ALGIERS (1938): This Hollywood remake of Julien Duvivier’s poetic realist masterpiece Pépé le moko features Charles Boyer and Heddy Lamarr as the star-crossed lovers who meet in the Casbah. Nominated for four Oscars: Best Actor in a Leading Role, Charles Boyer; Best Actor in a Supporting Role, Gene Lockhart; Best Cinematography, James Wong Howe and Best Art Direction, Alexander Toluboff. Dir. John Cromwell
Saturday, September 5, 5:00 AM
THE MAN WHO KNEW TOO MUCH (1934): A British family gets mixed up with spies and an assassination plot while vacationing in Switzerland. Things escalate quickly when the daughter is kidnapped, and the parents (Leslie Banks and Edna Best) must rely on themselves to save her. This tense thriller featured Peter Lorre’s first performance in an English language film. Dir. Alfred Hitchcock
Saturday, September 5, 9:00 PM &
Sunday, September 6, 7:00 AM
THE YELLOW CANARY (1963): A late-cycle film noir with a script by Rod Serling, from a novel by Whit (Touch of Evil) Masterson? Starring Pat Boone as an ego-maniacal pop crooner whose only child is kidnapped for a king’s ransom? With Barbara Eden as his wife? And Jack Klugman as the investigating cop? The Film Noir Foundation resurrected this pop-culture obscurity in a brand-new digital restoration. This rediscovered noir also features a wall-to-wall jazz-pop score by Kenyon. Dir. Buzz Kulik
Sunday, September 6. 4:45 PM
THE BAD SEED (1956): “What will you give me for a basket of kisses?” Based on the stage play adapted from the brilliant novel by William March, Army wife Christine (Nancy Kelly) suspects that her seemingly perfect little girl Rhoda (Patty McCormack) is a ruthless killer. Eileen Heckart shines in her Oscar nominated supporting role as the alcoholic mother of one of Rhoda’s victims. This truly terrifying film will make you look twice at all cute little blonde girls. Kelly and McCormack as well as cinematographer Harold Rosson were nominated for Oscars as well as Heckart. Dir. Mervyn LeRoy
Monday, September 7, 3:00 AM – 3:00 PM
Here are the noirs...
5:00 PM
BORDER INCIDENT (1949): Mexican and American policemen (Ricardo Montalban and George Murphy) combine efforts to try to crack down on the illegal immigration racket. Simply stunning cinematography by the great John Alton and some truly brutal violence makes this a rare sample of agrarian noir. Watch for noir icon Charles McGraw in a supporting role playing the heavy’s henchman. Dir. Anthony Mann
7:00 PM
MYSTERY STREET (1950): A Cape Cod coroner (Ricardo Montalban) and a Harvard criminal pathologist (Bruce Bennett) try to solve a possible murder with nothing but the victim's bones to go on. Elsa Lanchester steals the show as the victim’s shady landlady. Leonard Spigelgass received an Oscar nomination for Best Writing, Motion Picture Story. Dir. John Sturges
Wednesday, September 9, 10:45 AM – 5:00 PM
10:45 AM
LOOK IN ANY WINDOW (1961): The odd behavior of teenage voyeur Craig (Paul Anka) escalates over the Fourth of July weekend. The suburban ideal of his life is a lie he can no longer endure. A sensationalist melodrama with some heartfelt moments and standout performances by Ruth Roman as Craig’s mother and Jack Cassidy as the womanizing father of the girl he likes. Dir. William Alland
12:15 PM
FINGERS ON THE WINDOW (1942): Actor Oliver Duffy (Lew Ayres) saves a woman Edwina Brown (Laraine Day) from an ax murderer. The pair decides to capture him in order to help the police solve a rash of seemingly unrelated ax murders believed to be due to "an epidemic" of schizophrenia. They are drawn further into the investigation and encounter the sinister Dr. H. Santelle (Basil Rathbone). Dir. Charles Lederer
1:45 PM
THE WINDOW (1949): A young boy (Bobby Driscoll) with a penchant for telling tall tales overhears a murder while sleeping alone on a fire escape. Of course, no one believes him except the murderers (Paul Stewart and Ruth Roman) who ruthlessly hunt him down. This excellent adaptation of a Cornell Woolrich story will keep you on the edge of your seat. Won the Oscar for Best Editing. Dir. Ted Tetzlaff
3:00 PM
REAR WINDOW (1954): A wheelchair-bound photographer passes the time of his disability by spying on his neighbors. One day he witnesses a murder. Or does he? This iconic mystery was adapted from a story by Cornell Woolrich and earned a Best Writing, Screenplay Oscar nomination for screenwriter John Michael Hayes. The film earned three more Oscar nods for Best Director, Best Cinematography, Color and Best Sound, Recording. Dir. Alfred Hitchcock
Wednesday, September 9, 5:00 PM – 8:30 PM
Even in noir dogs are good boys
5:00 PM
OBSESSION (a.k.a THE HIDDEN ROOM) (1949): In this Brit noir, directed by the recently blacklisted noir auteur Edward Dmytryk, cuckolded psychiatrist Dr. Clive Riordan (Robert Newton) goes the extra mile to punish his cheating spouse (Sally Gray). He abducts his wife’s lover (Phil Brown) planning to eventually treat him to an acid bath. Scotland Yard Superintendent Finsbury (Naunton Wayne) and his wife’s dog throw a spanner in the works. Adapted by Alec Coppel from his suspense play A Man About a Dog. Dir. Edward Dmytryk
7:00 PM
YOU NEVER CAN TELL (1951): In this film noir spoof, ex-Army German Shepard King inherits a fortune from his (obviously) eccentric millionaire owner and is promptly murdered for it. He reincarnates as private detective Rex Shepard (Dick Powell) to investigate his own murder. Dir. Lou Breslow
Thursday, September 10, 3:00 AM – 5:00 PM
It’s not noir, but watch The Haunting at 3:00 PM anyway. Here’s the noirs…
6:45 AM
BLOOD ON THE MOON (1948): Robert Mitchum ditches his fedora and trench coat for a Stetson and chaps in this evolutionary noir-stained Western. Robert Wise’s stellar “A” picture debut is complemented by screenwriter Lillie Hayward’s adaptation of Luke Short’s novel transplanting the rain slicked alleys of 1940s Los Angeles into the wide-open spaces of the 19th-century West. Gorgeously lensed by ace noir cinematographer Nicholas Musaraca, this picture was the forerunner of a darker genre of Westerns that became preeminent on the big and small screens during the next decade. Dir. Robert Wise
10:00 AM
THE SET-UP (1949): An aging boxer (Robert Ryan) defies the gangsters who've ordered him to throw his last fight, believing that he can still be a champ. Audrey Totter plays his devoted wife who begs him to retire from boxing before he’s destroyed. Dir. Robert Wise
1:15 PM
ODDS AGAINST TOMORROW (1959): Desperation forces a racist ex-con, the always great and always scary Robert Ryan, and a black gambler (Harry Belafonte) to plan a bank robbery together. Loads of tension ensues. Shelly Winters co-stars as Ryan’s long-suffering wife. Gloria Grahame has a small but memorable role as the couple’s sexy, and kind of kinky, neighbor. Dir. Robert Wise
Saturday, September 12, 9:00 AM – 12:45 PM
9:00 AM
THE STRIP (1951): Veteran and drummer Stanley Maxton (Mickey Rooney) moves to Los Angeles with dreams of opening his own club but becomes entangled with a racketeer (James Craig) and a nightclub dancer with ambitions for Hollywood (Sally Forrest) and ends up accused of murder. The film features Louis Armstrong and his Orchestra as well as Monica Lewis and Vic Damone as themselves. Much of the picture was shot on location in and around the Sunset Strip. Interiors were shot at popular nightclubs Mocambo and Ciro's and at restaurants Little Hungary and Stripps. Dir. László Kardos
10:45 AM
THE BIG SLEEP (1946): In Howard Hawks’ clever and sophisticated adaptation of Raymond Chandler’s novel, private eye Philip Marlowe’s (Humphrey Bogart) investigates the involvement of an opium addled (and nymphomaniacal) society girl (Martha Vickers) in the murder of a pornographer. He also must determine if her sister (Lauren Bacall) is helping or hindering him. Dir. Howard Hawks
Saturday, September 12, 9:00 PM & Sunday, September 13, 7:00 AM
JEOPARDY (1953): A suburban housewife (Barbara Stanwyck) on holiday in rural Mexico with her son and husband, desperately seeks help. Her husband is trapped in pilings on the shore of the ocean, and the tide is coming in. She encounters an escaped criminal (Ralph Meeker) and will do anything in exchange for his aid. “How long has it been since you talked to a woman?” Dir. John Sturges
Thursday, September 17, 3:00 AM - 5:00 PM
Here are the noirs...
7:00 AM
BODYGUARD (1948): Hollywood’s toughest mug returns! The ominous Lawrence Tierney is perfectly cast as an insubordinate cop who gets framed off the force and goes undercover to expose corruption and murder in the meat-packing industry. Comely support is rendered by the beautiful Priscilla Lane (who retired from the screen after this film—was it Larry?). This early Richard Fleischer RKO programmer boasts a pace that exceeds the speed limit! The screenplay by Fred Niblo Jr. and Harry Essex was adapted from an original story co-written by, yes, that Robert Altman! Dir. Richard Fleischer
8:15 AM
TRAPPED (1949): T-Men investigating a flood of phony $20s spring convicted counterfeiter Tris Stewart (Lloyd Bridges) from the joint to use as an undercover operative. But Tris is only stringing the feds along until he makes a score and scoots to Mexico with his red-hot squeeze, Meg (Barbara Payton). The double- and triple-crosses come fast and furious as no one's sure who's a crook and who's a copper. A hasty and hard-edged B from director Richard Fleischer, with exceptional camerawork by DP Guy Roe. Restoration funded by the Film Noir Foundation and performed by the UCLA Film & Television Archive. Dir. Richard Fleischer
9:45 AM
FOLLOW ME QUIETLY (1949): A plucky crime writer (Dorothy Patrick) and a tough cop (William Lundigan) hunt for The Judge, a mysterious serial killer who only strikes when it’s raining. Legendary noir director Anthony Mann wrote it and worked (uncredited) as a director on it. Dir. Richard O. Fleischer
12:15 PM
THE NARROW MARGIN (1952): Marie Windsor gives one of her signature performances in this heralded thriller, one of the most inventive B films of the classic noir era. Set mostly on a train rife with killers, a tough cop (Charles McGraw) is assigned to haul a mobster’s wife to L.A. to testify against a gang of mobsters. It’s a toss-up as to what’s more exciting—Richard Fleischer’s propulsive handling of the spirited action sequences or Windsor and McGraw, chest to chest, spewing hardboiled insults at each other all the way from Chicago to L.A. Earl Felton’s dialogue snaps, crackles, and pops, and Fleischer’s dynamic direction is explosive enough to have blasted him out of the B unit and into the ranks of Hollywood’s preeminent directors for the next thirty-five years. Dir. Richard Fleischer
Saturday, September 19, 2:45 PM
I DIED A THOUSAND TIMES (1955): Gangster Big Mac (Lon Chaney, Jr.) pulls strings to get a lifer, Roy (Jack Palance), out of prison. In return, Roy had to pull a big jewelry heist. Big Mac saddles him with incompetent henchmen and things go badly. Especially when they pick up a taxi dancer (Shelley Winters) who causes considerable tension and then falls in love with Roy. W.R. Burnett based his screenplay on his own novel High Sierra, previously adapted by John Huston and Burnett in 1941 for Raoul Walsh’s film starring Humphrey Bogart and Ida Lupino. Dir. Stuart Heisler
Saturday, September 19, 9:30 PM & Sunday, September 20, 7:00 AM
THE LONG NIGHT (1947): This inferior American remake of Marcel Carné’s Le jour se lève (1939) opens with protagonist Joe Adams (Henry Fonda) wanted for murder and trapped by the police in his apartment. Flashbacks reveal how he got there. Vincent Price gives a memorable supporting performance as his nemesis, dog act maestro Maximilian the Great. Dir. Anatole Litvak
Saturday, September 19, 11:30 PM - Sunday, September 20, 3:15 AM
11:30 PM
BADLANDS (1973): After a charismatic James Dean wannabe (Martin Sheen) kills her dad, a baton-twirling teen (Sissy Spacek) decides to join him on a shooting spree through Montana's Badlands. It’s loosely based on the Starkweather-Fugate killings of the 1950's which also inspired Bruce Springsteen’s album Nebraska and the key back story in Peter Jackson’s The Frighteners (1996). Dir. Terrence Malick
1:45 AM
GUN CRAZY (1949): In this justly legendary noir, a gun obsessed reform school graduate (John Dall) meets the girl of his dreams, a circus sharpshooter (Peggy Cummins). They get married in a fever, but she gets fed up living without the finer things of life. The two go on a crime spree, but her blood lust had fatal consequences. Eddie Muller called it “the most audacious work of “outlaw cinema” made during the classic Hollywood era.” He also wrote an entire book about it. Dir. Joseph H. Lewis
Sunday, September 20, 9 :00 AM
VICTIM (1961): Brit noir meets social consciousness in this fine drama. Closeted and married barrister Melville Farr (Dirk Bogarde) risks both his career and personal life to expose the blackmailers who prey on gay men afraid of England’s criminal prosecution of homosexuals and who drove his friend to suicide. The film also portrays his relationship with his wife (Sylvia Syms) and the impact of his actions on their marriage in a complex and empathetic manner. The film, while negatively affecting star Bogarde’s career, did help shift public opinion about the anti-sodomy laws in the U.K. England and Wales decriminalized most consensual homosexual conduct in 1967. Dir. Basil Dearden
Tuesday, September 22, 3:00 AM – 5:00 PM
Here are the noirs...
3:00 AM
THE HARD WAY (1943): Helen Chernen (Ida Lupino) is obsessed with making her younger sister (Joan Leslie) a star. Jack Carson steals the show playing Leslie's sweetly tragic first husband who Lupino sacrifices on the altar of Leslie's career. Dennis Morgan plays Carson’s partner who drives a wedge between the sisters. Dir. Vincent Sherman
8:45 AM
NORA PRENTISS (1947): In this noir tale, a decorous doctor becomes obsessed with a beautiful nightclub singer, (Ann Sheridan). Interestingly, uber straight man Kent Smith, best known as Irina’s husband in Val Lewton’s Cat People (1942) gets the chance to play a man who will stop at nothing to possess the object of his desire. Dir. Vincent Sherman
10 45 AM
BACKFIRE (1950): On Christmas Eve, wounded war veteran Bob Corey (Gordon MacRae), recovering from multiple surgeries is approached by a mysterious woman (Viveca Lindfors) who tell him that his army buddy (Edmond O'Brien) who disappeared has been in an accident and wants to commit suicide. Bob gets out of the hospital and is promptly questioned by the police about Steve, who they believe murdered a local gambler and racketeer. Bob and his nurse and girlfriend (Virginia Mayo) try to find evidence to clear him. Dir. Vincent Sherman
12:30 PM
THE DAMNED DON’T CRY (1950): Fed up with her small-town marriage and life of drudgery, Ethel Whitehead (Joan Crawford) goes after the big time and by sleeping with a series of mafiasi. This fantastic film noir fable, a thinly-veiled version of the life story of gangster's moll Virginia Hill, is perhaps a truer depiction of the real Joan Crawford than Mommie Dearest (1981). Right up there with Mildred Pierce as one of Crawford's finest Warner Bros. melodramas. With Steve Cochran, Kent Smith, and veteran Joan-foil David Brian. Dir. Vincent Sherman
Wednesday, Sept 23, 11:00 AM – Thursday, Sept 24, 4:45 AM
11:00 AM
VERTIGO (1958): An old friend hires ex-cop Scotty (Jimmy Stewart) to follow his beautiful but emotionally disturbed wife (Kim Novak) through the gorgeously shot streets of San Francisco. Stewart gives an intensely dark performance as Scotty spirals further and further into romantic obsession. Dir. Alfred Hitchcock
1:15 AM
NIGHT MUST FALL (1964): Hotel bellboy and ax murderer Danny (Albert Finney) charms the elderly Mrs. Bramson (Mona Washbourne) and takes on the role of butler for her while also charming her daughter Olivia. Cinematography by Freddie Francis A remake of the 1937 film of the same name which was based on the play by Emlyn Willimas. The screenplay was written by Clive Exton who went onto write the majority (20) episodes of Agatha Christie's Poirot starring David Suchet. Dir. Karly Reisz
3:00 AM
CHANDLER (1971): Warren Oates plays the eponymous lead in this gritty neo-noir. He plays a security guard who revamps his PI business when a couple of Feds ask him to locate a witness for an organized crime trial. Noir stalwarts Charles McGraw and Gloria Grahame contributed supporting performances. Dir. Paul Magwood
Friday, September 25, 3:00 AM – 5:00 PM
It takes the B-unit guy to show just how terribly and unfairly the mentally ill were treated until very recent times. Score another one for Val Lewton
3:00 AM
DARK DELUSION (1947): A young doctor tries to keep a neurotic beauty from being committed. Dir. Willis Goldbeck
4:45 AM
SO YOU THINK YOU'RE A NERVOUS WRECK (1946): In this short film, Joe McDoakes fights his phobias and fears...and his boss. Dir: Richard Bare
5:00 AM
GASLIGHT (1944): A newlywed (Ingrid Bergman) fears she's going mad when strange things start happening at the family mansion where her aunt was murdered ten years earlier. Joseph Cotten stars as the handsome stranger who aids her. Charles Boyer stars as the handsome husband who terrorizes her. Angela Lansbury plays the pretty maid who may be in league with Boyer. Based on Patrick Hamilton’s Angel Street. The film won two Oscars, Best Actress in a Leading Role for Ingrid Bergman and Best Art Direction-Interior Decoration, Black-and-White for Cedric Gibbons, William Ferrari, Edwin B. Willis, Paul Huldschinsky, and earned five more nominations. Dir. George Cukor
7:00 AM
HIGH WALL (1947): Quintessential postwar noir! Brain-damaged vet Robert Taylor confesses to murdering his unfaithful wife and is sentenced to a sanitarium. His doctor (sexy Audrey Totter) gradually realizes he might not be guilty. Taylor gives his best performance ever in this neglected gem, which glistens with director Curtis Bernhardt's feverish rain-soaked noirscapes. Dir. Curtis Bernhardt
9:00 AM
BEWITCHED (1945): A girl (Phyllis Thaxter) enlists a psychiatrist (Edmund Gwenn) to get rid of her destructive alternate personality. Written and directed by Old Time Radio legend Arch Oboler (Lights Out). Dir. Arch Oboler
10:15 AM
MENTAL POISE (1938): In this comedic short, a psychoanalyst encounters a patient who eerily resembles himself. Both played by Robert Benchley. Dir: Roy Rowland
10:30 AM
EXPERIMENT PERILOUS (1944): A chance meeting on a train with a stranger leads psychiatrist Huntington "Hunt" Brailey (George Brent) into the orbit of a beautiful married woman (Hedy Lamarr) whom he believes is in danger and whose husband (Paul Lukas) claims that she’s insane.
12:15 PM
THE TWO MRS. CARROLLS (1947): A sociopathic artist (Humphrey Bogart) decides that he would like to murder his wife in order to marry a flirtatious younger woman (Alexis Smith). However, the current Mrs. Carroll is Barbara Stanwyck, so you know this isn’t going to be so easy, even though Babs is both uncharacteristically slow on the uptake and rather wimpy in this one. Dir. Peter Godfrey
2:00 PM
WHERE DANGER LIVES (1950): A suicidal patient (Faith Domergue) draws her doctor (Robert Mitchum) into a web of sex and murder in this dream like noir. When he accidentally kills her husband (Claude Rains in a film stealing performance), they go on the run to Mexico despite the brain injury that is slowly incapacitating him. Dir. John Farrow
3:30 PM
BEDLAM (1946): Not a noir but we’re including it for our Val Lewton completist. Nell Bowen (Anna Lee), the protégé of Lord Mortimer, wants to help change the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). In response, the head of St. Mary's, George Sims (Boris Karloff), uses his political savvy to have Nell committed. Being within St. Mary's does not deter the courageous Nell and she displays her own manipulative skill to rid herself and the mistreated inmates of the sadistic Sims. Dir. Mark Robson
Saturday, September 26, 9:30 PM & Sunday, September 27, 7:00 AM
ACE IN THE HOLE (1951): A small-town reporter (Kirk Douglas at his hammy best) milks a local disaster to get back into the big time, destroying everyone, including himself, along the way. Jan Sterling gives a tremendous performance as the trapped man’s opportunistic wife. Dir. Billy Wilder
Walter Matthau stars and directs — Gangster Story on September 1
John Cassavetes and Sidney Poitier in Edge of the City on September 3
Davey Gordon in Stanley Kubrick's Day of the Fight on September 3
Kirk Douglas and Timothy Carey in Paths of Glory screening September 2
Kubrick's rarely seen Fear and Desire on September 2
Hedy Lamar and Charles Boyer in Algiers on September 5
Eddie Muller presents The Yellow Canary on the September 5-6 edition of NOIR ALLEY.
Patty McCormack stars in The Bad Seed on September 6
James Mitchell and Ricardo Montalban in Border Incident on September 7
Elsa Lancaster in Mystery Street on September 7
Paul Anka and Ruth Roman in Look in Any Window on September 9
Home alone? Bobby Driscoll in The Window on September 9
Sally Gray in Obsession on September 9
You Never Can Tell screens September 9
Robert Mitchum stars in western-noir Blood on the Moon on September 10
Robert Ryan, Harry Belafonte and Ed Begley in Odds against Tomorrow on September 10
Mickey Rooney stars in The Strip on September 10
Eddie Muller presents Jeopardy on the September 12-13 edition of NOIR ALLEY
Lawrence Tierney and Priscilla Lane in Bodyguard on September 17
Barbara Payton and Lloyd Bridges in Trapped on September 17
Follow Me Quietly screens September 17
Marie Windsor in The Narrow Margin on September 17
Eddie Muller presents The Long Night on the September 19-20 edition of NOIR ALLEY
Peggy Cummins in Gun Crazy on September 20
Joseph Losey's Victim starring Dirk Bogarde on September 20
Ida Lupino and Joan Leslie in The Hard Way on September 22
Backfire screens September 22
Night Must Fall on September 23
Dark Delusion screens September 25
Audrey Totter and Robert Taylor stars in High Wall on September 25
Phyllis Thaxter stars in Bewitched on September 25
Paul Lucas and Hedy Lamarr in Experiment Perilous on September 25
Faith Domergue and Robert Mitchum in Where Dangers Lives on September 25
Eddie Muller presents Ace in the Hole on the September 26-27 edition of NOIR ALLEY